Wednesday, June 13, 2012

Foodie Film | Jiro Dreams of Sushi

After an interesting dinner at Sushi Azabu, Lisa and I headed over to the West Village to the International Film Channel (IFC) Center to finally see the film we'd been talking about for the last couple months -- Jiro Dreams of Sushi.

We had heard so many wonderful things about this -- through Gilt Taste, The New York Times, and NPR at first, and waves throughout the foodie universe thereafter. Watching the trailer alone is magical, enticing, and delicious -- you couldn't help but be curious as to what the documentary was all about.


The documentary tells the story of an 85-year-old sushi chef (well, not just any sushi chef), Jiro Ono, who is the proprietor of Sukiyabashi Jiro, a ten-seat, sushi-only restaurant located inside a Tokyo subway station. "Despite its humble appearances, it is the first restaurant of its kind to be awarded a prestigious three-star Michelin review, and sushi lovers from around the globe make the repeated pilgrimage, calling months in advance and shelling out top dollar for a coveted seat at Jiro's sushi bar." The experience is rumored to outweigh its hefty cost -- so if you ever find yourself seated at Sukiyabashi Jiro, it'll be the most you'll ever spend for a meal under a half hour (i.e., eighteen or so pieces of nigiri sushi in 20-25 minutes for a whopping prix fixe price of 30,000 ¥ -- about $275). It's certainly a quick-paced marathon.

Jiro has been working most of his life, and he doesn't plan on stopping anytime soon. Throughout this time, he has been "mastering the art of making sushi, but even at his age, he sees himself still striving for perfection, working from sunrise to well beyond sunset to taste every piece of fish; meticulously train his employees; and carefully mold and finesse the impeccable presentation of each sushi creation." It is even said that among "a delegation of revered sushi chefs" that Jiro is the clear lead, who they claim, with no hesitation, has "mastered rice."

The documentary, directed by David Gelb, begins by introducing Jiro and his famed restaurant, going into the sushi chef's process in preparation and execution.

The camera took you to the Tsukiji Market, where each morning, Jiro's eldest son, Yoshikazu, visits to check out and shop the daily catch for the restaurant's next day or two.

The most striking is the intense tuna auction to buy all cuts of Bluefin tuna. The auction is another art form in and of itself.

The documentary also details the relationship that Jiro has with Yoshikazu, "the worthy heir to Jiro's legacy, who is unable to live up to his full potential in his father's shadow" -- he's 50 years old now and remains the father's right hand man. It is tradition in Japan that the eldest son take over the family's business (in this case, Jiro's restaurant). On the other hand, Jiro's younger son, Takashi, opened a restaurant of his own, the sister to Jiro's restaurant, Sukiyabashi Jiro Roppongi (as it is located in Roppongi Hills, Tokyo) that has two Michelin stars and emulates a more casual atmosphere.

Also featured in the film was Masuhiro Yamamoto, a famed food critic in Japan, who is Jiro's biggest fan. He does a lot of the story telling, sharing his observations with the revered sushi chef.

A piece of o-toro -- fatty tuna -- created by Chef Jiro Ono. The progression of the film as well as a meal at Sukiyabashi Jiro paralleled themselves to an orchestra's performance -- it was quite extraordinary to watch the build-up of these progressive things within the hour and a half that we were seated in the theatre. Even the soundtrack was beautifully done -- all classical masterpieces just like each crafted piece of sushi. More specifically, Mr. Yamamato outright says he views Jiro’s sushi meal "as a concerto with specific movements, or even as an illustration (and dramatization) of a specific philosophy."

Another thing to note is that Mr. Yamamato, among other diners at Sukiyabashi Jiro, shared that every time he dines at the sushi bar (i.e., the first time and all subsequent times), he is always tense and nervous, which he speculates is because he's before the great sushi master of Jiro Ono himself. I find that really awesome that a chef can have a profound effect on such a noteworthy food critic as Mr. Yamamato.

Some of my favorite quotes from the documentary:
  • Jiro: "You have to fall in love with your work. You must dedicate your life to mastering your skill. That is the key to happiness."
  • (from where the title of the film comes) Jiro: "I would make sushi in my dreams -- I would jump out of bed at night with ideas."
  • Jiro (still obsessed with sushi-making): “If I stopped working at 85, I would be bored out of my mind."
  • Mr. Yamamoto: "I’ve never seen a chef be so hard on himself."
  • Mr. Yamamoto: "The only difference between Jiro now and forty years ago is that he no longer smokes."
  • Jiro: "Even at my age, after decades of work, I don’t feel I have achieved perfection. But I feel ecstatic all day."

Findings: Ultimately, this film that "chronicles Jiro’s life as both an unparalleled success in the culinary world, and a loving yet complicated father" is very inspiring both through its salivation-causing imagery and its embracing mantras. As the camera reels through each morsel of sushi, the result is simply delicious, and if you came to the cinema before a meal, expect to leave incredibly hungry. The tone of the film is honest yet light-hearted, especially with the pleasant classical music that haunts its musical score. Even as the dialogue is entirely in Japanese and communicated to the audience through subtitles, Mr. Gelb and his team were able to capture the humor, expressions, and art so very beautifully. You're definitely in for a treat with this film -- I loved it so much that I've already pre-ordered the Blu-ray disc for its release in July!

So I implore you to see this immediately -- definitely worth the time and admission! :)

Price point: $13 admission per adult.

--June 2, 2012

International Film Channel Center
323 Avenue of the Americas
New York, NY 10014

Jiro Dreams of Sushi
Magnolia Pictures
limited release on March 9, 2012

Tuesday, June 12, 2012

Chef's Tasting | Sushi Azabu

So before I start this dining review, I wanted to preface it with a little change I'm making to my posts from now on. I was given some enlightening advice from Alice a few months back, after having a conversation on ways to improve one's blog. One of the things that she admires in a great blog are ones with solid photographs (no surprise given her expertise as a freelance photographer!), including not only basic things like composition and lighting, but also size. She pointed out an important thing that she commits to doing at Lingered Upon, her own blog, is including photographs with a greater resolution, so that her readers can enjoy the content at more ease. Anyways, I decided to take that advice to heart (thanks, Alice!), so the photographs at Four Tines will be appear a little bit larger now, so please enjoy!

A couple weekends ago, Lisa and I finally decided to check out Sushi Azabu over in Tribeca, housed inside one of our favorite spots, Greenwich Grill -- a bistro specializing in, believe it or not, Japanese-Italian fused cuisine. We made it an evening date of a "dinner and a movie" where we planned to go to the Independent Film Channel Center right after dinner to see the documentary, Jiro Dreams of Sushi (more on this later!).

I arrived a little early, so I waited at the bar, admiring the inspired décor of Greenwich Grill -- exposed brick, burgundy-upholstered curved banquettes, warm lighting, and large canvases of Japanese art and calligraphy sprawled on the walls.

I began the evening with the summer punch -- a concoction of vodka, peach, pineapple, orange juice and Prosecco. Lucky for me (and unfortunately for the rest of the evening's guests), it was the last one available from the bar. It was refreshing and deliciously fruity -- just the right balance of spirit and juice.

Loving the lamp placed in the corner here -- very Restoration Hardware-esque.

After Sushi Azabu had garnered some additional press after receiving one Michelin star over the past couple years, it piqued our interest to see if it is really worth that acclaim. Given how much we love Greenwich Grill, our expectations were pretty high already. The photographs from Snap Food's write-up on the sushi restaurant furthered this curiosity of ours.

Sushi Azabu is a small "sushi den" housed in the basement below Greenwich Grill, which served traditional edo-mae style sushi alongside small Japanese dishes. Edo-mae sushi style is dictated by traditional-minded techniques, such as the temperature of the rice, the fish, and the way it is served and eaten by the customers. About 70-80% of the sushi bar's offerings are imported directly from Japan, about four times per week. The rice is a unique blend of sushi rice imported directly from Japan, while the soy sauce is made in house -- i.e., sweetened and reduced Nikiri soy sauce that is infused overnight with mirin, kelp, and dried bonito shavings.

All of the sushi chefs that stand behind the bar are Japanese and were trained in Japan. Additionally, Sushi Azabu sits "atop a bed of smooth river stones with bamboo and a wood-lined ceiling and red walls made of traditional paper imported from Japan."

Even the chopsticks have been meticulously chosen -- handmade and imported from Ichihara Heibei craftsmen in Kyoto, a chopstick producer established over two centuries ago.

Lisa began with a lychee martini -- puréed lychee fruits and vodka. The lychee was delicious, but the vodka made it quite the strong cocktail.

To get the optimal culinary experience at Sushi Azabu, Lisa and I opted for the chef's omakase whereby the sushi chefs serve the highlights of the menu along with other things that are only offered via omakase.

The omakase began with a few pieces of pickled celery -- just a bitingly refreshing start to our meal.

Next came the Pacific oysters from Washington state with soy sauce and scallions, served raw on a half-shell. Slightly chilly, these little suckers smoothly slipped down our throats. They were really fresh, and given my affinity for oysters from the West Coast (and of course, Lisa's overall intense penchant for these bivalves), we really enjoyed this. The soy sauce and scallion mixture was basically a Japanese-style hogwash that provided a little more structured flavor to the oysters.

The third round consisted of a sashimi sampler of four different kinds of fish, two pieces each. Beginning from the left, we began (1) first with chu-toro, i.e., medium fatty tuna, which is always a winner for me. Even Lisa, someone who doesn't prefer tuna at all, found it to be quite delectable. Slightly lean with some delicious marbling, the chu-toro was one of our favorites from the beginning of our meal. (2) The second sashimi was hirame, i.e., fluke, with kelp and seaweed, which was fresh and light but other than that, not very memorable. (3) Next came aji, i.e., jack mackerel, which was smooth and structured, having a little more character than hirame. (4) Last was mirugrai, i.e., giant clam, which was another instant favorite. It had a soft crunch and a smooth exterior. Definitely a contrasting texture differential from the others we had earlier in the flight.

Following the sashimi flight was our first "cooked" dish of the evening -- grilled o-toro, which was marinated fatty tuna with daikon oroshi (i.e., grated Japanese radish) and scallions. The fattiest part of the Bluefin tuna, these warm slabs were marbled and super savory as they melted right onto our palates with the soft, snowy texture of the daikon oroshi topping it off. I've only become acquainted with raw o-toro so it was interesting to see it prepared on the other side of the temperature spectrum.

The fourth course was a hot egg custard with celery and mushrooms. Despite the obvious simplicity of this dish, it was really good and prepared very well. It reminded us of the steamed eggs that our nannies/grandmothers prepared for us when we were growing up. Silky, soft, and quite hot, the egg custard had a lighter consistency than dessert flan and was not at all stiff. So good!

The next course was sort of a palate cleanse -- pickled mirugai (giant clams, again) with Japanese pickles. Overall, this was just okay -- certainly wasn't as good at the first mirugai we had. One thing was for sure though -- our palates were indeed cleansed shortly after finishing this up.

The omakase of nigiri sushi began first with kinmedai, i.e., big/golden eye snapper. As usual, a touch sweet and very smooth, the kinmedai did not disappoint, especially with a light glaze of soy sauce. Only issue was our sushi chef was a little heavy handed with the wasabi. Little did we know that this was a harbinger for how the rest of the pieces would be.

After the kinemedai, we were given the shiro ebi, i.e., white shrimp, which was another instant winner. Inexplicably creamy, chilly, and melty, the shiro ebi was lovely, only to be shortly disrupted with too much wasabi.

The next piece was chu-toro, just like the medium fatty tuna we tasted on the sashimi flight. It was pretty good, though I have to say our squares of chu-toro sashimi were richer in texture and taste. Plus, this was overpowered with the wasabi as well.

This was the seared shirauo, i.e., silverfish. This had a similar texture/consistency to unagi/anago, i.e., eel. Even with a nice smoky and salty flavor to it, the shirauo was still on the blander side.

This one, however, was more our style -- ikura, i.e., salmon roe sushi, wrapped around a toasted strip of nori (dried seaweed). As we took our first bites, the orange pearls bursted in our mouths, both briny and savory, while we were encountered with a surprising, loose crunch from the nori. Many times, even at the high-end sushi restaurants, Lisa and I find the nori to lose its integral crispiness/toastedness, either from being too exposed to the air too long or just not having quality nori available. Fortunately, this wasn't the case at Sushi Azabu -- it was definitely one of the best encounters with nori that we've had.

The moment we had been waiting for had finally arrived -- the glistening lobes of uni roe laid before us on the nigiri's rice, inducing some preemptive drooling before sweeping it up in our hands and having it melt away in our mouths. (1) The first piece (right) was from Santa Barbara, California, while (2) the second piece (left) was from Hokkaido, Japan. Our sushi chef advised us to start with the one from Santa Barbara followed by the one from Hokkaido. The first uni was a bit warm and intensely buttery -- the kind that haunts our dreams and the kind that we hope for each and every time we sit down at a high-end sushi bar -- and it was really, really good. The second uni was quite the contrast to the first, as it was brinier and chillier, probably because it came directly from Japan. It didn't have that luscious richness as the Santa Barbara uni, so Lisa and I didn't enjoy it as much. Still good, but missed our benchmark of the perfect piece of sea urchin.

Next up was anago, i.e., sea eel. What was interesting about this point of our meal was that our sushi chef enlightened us with the difference between anago and unagi -- anago is from the sea and typically served simmered, while unagi is from the river and typically served grilled. This anago was just okay -- it was lacking depth of flavor from its simmered preparation with just the kabayaki sauce salvaging it a little.

The omakase ended with an chopped o-toro and scallion handroll. Sinking our teeth into this fresh piece of nori was wonderful, and even better with the marbled globs of o-toro mixed in with the scallions. At the center, again, was too much wasabi, which interjected our initial enjoyment of the handroll. Boo!

Outside the omakase, Lisa and I wanted to try the tako, i.e., octopus. We were disappointed with its overt sliminess and tough texture. I think we may prefer tako to be slow-poached in this regard.

I also wanted to try the hotate, i.e., sea scallop, with a little sea salt. I found this to be quite great, only it was really large in size. To break traditional sushi eating, Lisa and I actually split hers in half (she couldn't eat all of that scallop) leaving a half for me.

Before we wrapped up our dinner, Lisa and I checked the fresh offerings on the menu one last time, and the aka-uni, i.e., red sea urchin from southern Japan, popped up right at us, pretty much say, "Try me!" After having it, I deemed it to be my favorite of all three uni that we tried, mostly because it married the two textures of the Santa Barbara and the Hokkaido ones. Lisa was still loyal to the one from Santa Barbara, though.

Before dessert, we were given a cup of miso soup with scallions to end our omakase. Hot and concentrated, it was a warm way to clear our palates from all the fish we had just eaten.

To punctuate our meal, Lisa and I decided to have the anmitsu matcha parfait -- house-made green tea ice cream served with almond streusel, shiratama mochi, red bean paste, freshly cut bananas and strawberries, and mascarpone. It was quite the sweet treat, loaded with so many flavors, textures, and temperatures. We had both had this on separate occasions at Greenwich Grill (Sushi Azabu shares both Greenwich Grill's bar and dessert menu), and it's always been a favorite. The perfect scoop of matcha ice cream interplays with the crunch of the almond streusel, chewy mochi, the warmth from the red bean paste, the tartness of the fruits, and the creaminess of the mascarpone. It marries Italian pastry with traditional Japanese ingredients and flavors.

Findings: Overall, Sushi Azabu fell short of our expectations. When going the route of omakase, we as diners are ultimately entrusting our menu "choices" and eventual dining experience with the sushi chef and his palate for what will highlight the restaurant's best dishes. So by doing so at Sushi Azabu, Lisa and I just assumed that it would be the best course of action, as many of the omakase courses were items not available on the a la carte menu, that we'd get a taste of all of the menu's highlights. Now don't get me wrong -- there were some awesome wins throughout the meal (three kinds of uni, the toasty nori, mirugai, chu-toro sashimi, grilled o-toro, the Pacific oysters, shiro ebi, and hot egg custard). However, most of the others were quite bland, uninventive (in the way that traditional sushi can be), and uninspiring -- it felt as if there was nothing that special overall.

What was even more disappointing was the price at which they were charging for hit-or-miss sushi and small dishes. If I'm paying top dollar for sushi and authentic Japanese dishes, I expect almost all of the courses to be worth every penny. Perhaps it is a bit cognitive dissonance that usuallly runs through my veins after a somewhat extravagant meal, trying to justify that such a hefty priced dinner was worth it. However, here, I just felt it was sloppy and half-hearted, especially with the overload of wasabi. I probably should've said something, but I didn't want to insult the sushi chef -- perhaps it was intended to be that way? Who knows. Nevertheless, after having been to Jewel Bako -- its omakase is almost a bargained value (compared to Sushi Azabu) at $65 per person for the same quantity of sushi/sashimi and where the variety, quality, and presentation of each piece of sushi pretty ideal -- sitting through the omakase here was disappointing. Even even with the additional courses you get for an additional $35 over Jewel Bako's $65 per head price at Sushi Azabu, it doesn't compensate for its unexciting array of courses. Considering that both restaurants are highly regarded with one Michelin star each, it's crazy to think that the Michelin guide equated them on the same playing field. Lisa and I have been huge fans of Greenwich Grill, so to say things like this about its sister restaurant (housed in the same space!) is such a letdown, as we had so much hope for it to be great. It was a Saturday night as well, so there's no excuse for its perfunctory attitude reflect in its food.

Perhaps I'd give it another try, perhaps a la carte or be a little more vocal with my preferences, but given that the restaurant can boast that 70-80% of the fish is imported from Japan and its chefs are Japanese and trained accordingly, I was expecting a lot more than what we experienced. At least we have the uni and the mirugai by which to remember the otherwise mediocre experience. Silver lining though was that by the end of the meal, we were "sushi"-fied up with our pre-gaming of sushi omakase to watch Jiro Dreams of Sushi. Our tummies and palates were certainly in the right mindset.

Price point: $11 for each cocktail, $100 per person for the chef's omakase, $7-12 for each additional piece of sushi, $7 for dessert.

--June 2, 2012

Sushi Azabu
Greenwich Grill
428 Greenwich Street
New York, NY 10013

Tuesday, June 5, 2012

Fresh Find | The Joy of Ex Foundation quips

I came across the cheeky products by Joy of Ex Foundation through A Cup of Jo (can't find the original post) and then later Georgie Girl NYC. Particularly this one about book clubs:

This "My Book Club Only Reads Wine Labels" tote is sure to put a little laugh in your day.

As it turns out, The Joy of Ex Foundation was founded by Sally Beerworth when her own divorce almost cost her her smile. As such, she began writing a funny novel to make herself giggle. While writing this book, she decided to start this "foundation" to make others smile, first as a Facebook group, sharing her funny quips as an attempt to get others to smile. People started asking her for her quotes to be printed on merchandise and such, and thus resulted in this little enterprise of hers which now is stocked in stores and galleries all throughout the UK, United States, Australia, New Zealand, Sweden, Spain, France, and Brazil.

Anyway, I decided to share some of my favorite food-related merchandise by The Joy of Ex Foundation, all of which are surely to put a smile on your face!

I'm sure all chocolate lovers will come to appreciate this little print, "I Can Hear a Chocolate Foil from 100 Yards" -- a chocolate lover's gotta do what he/she's gotta do.


"Leftovers are for Underachievers" is perfect for when the going gets tough at the dining table. Eat through the pain, as Marcus has said before.

For those finding comfort in a pint of ice cream, you may find yourself saying this, "I Am in a Love Triangle with Ben & Jerry." Great -- now I have some Cherry Garcia calling my name!

As all kitchens are for dancing, "My Kitchen is for Dancing" just reminds us to have a little fun there!

Calling all bakers -- this apron dons the mantra for all of you: "Proud to Lick Cake Bowls!"


The Joy of Ex Foundation
assorted food-related prints, here at Not on the High Street and here at Joy of Ex
Price point: $17.72 for each tote bag, $5.35 for each set of four postcards, $16.07 for each "A4"-sized print, $37.51 for each apron.

Monday, June 4, 2012

Dinner | The Bristol

Our other culinary adventure whilst in Chicago was at The Bristol over in Bucktown. We met up with Andrew, a close friend of mine from high school who moved to Chi-Town three years ago.

The Bristol has been on my list of places to check out for the past two years. I first heard about it through Alan Richman's "Ten Best New Restaurants in America" list for GQ in 2010. The disclosed photograph was what first enticed me -- gotta love the organic feeling of the warm woods with the chalkboard backdrop.

The décor is dictated by a blackboard menu, metal chairs, Edison-style light bulbs, exposed brick walls, and tables sans tablecloth.

We were seated on the second level of the restaurant, where it's a little more dressed up (but no less casual). The artwork on the walls of exposed brick, i.e., acrylic paint on wood featuring mostly trees, is by Evie Ogborn, a local artist.

Chef Chris Pendel is the mastermind behind The Bristol (both co-owner and executive chef). Star Chefs describes him best as "everything that connotes Midwestern charm (i.e., effusive goodwill and a love of community, coupled with a killer work ethic)" and his food as "rooted in classic French technique and mostly local Midwestern ingredient that are unfussy and hearty and at the same time fresh, clean, and elegant."

Chef Pandel began his career at a restaurant in his hometown of Riverside, Illinois, followed by a job at Courtright's in Willow Springs. He then attended Johnson & Wales University, during which he found himself interning at Tru under Chef Rick Tramonto. Upon graduating JWU, Chef Pandel spent what he calls "graduate school" in New York City at Café Boulud under Chef Andrew Carmellini. His love of the Midwest brought him back to Chicago (and back to Tru) where he eventually became the corporate chef at three Tramonto restaurants. He has said that Chef Carmellini "molded him into a cook" and that under Chef Tramonto, he "earned a 'sense of self' in the kitchen and the know-how to run a business." In 2008, he opened The Bristol with partners John Ross and Phillip Waters, where its "communal tables encourage conviviality" and his "cooking follows through with just the right blend of comfort and creativity" and rooted in Mediterranean cuisine.

While the cuisine is New American, the menu's focus locavorian and artisanal with shameless offering of offal, innards, and oddities. In fact, The Bristol butchers whole animals in-house, meaning "offal and charcuterie are regulars ont he menu, and roast chicken might show up with foot and claw attached." The menu even includes a complete list of the local purveyors and farms from where the kitchen sources its ingredients.

First order of business was to order the duck fat fries with house ketchup and garlic aioli from the snack portion of the menu. The perfect shoestring fries, in all of their salty golden glory, were great, especially with the housemade condiments at their side. Definitely order these for the table to share -- I promise there won't be any left!

Andrew also ordered the scotch olives with pork sausage and lemon crème fraîche. Nice little bites of savory and briny flavors, and considering I'm not a fan of olives, this was quite appetizing.

We also ordered the crispy flatbread with bacon lardons, caramelized onions, and ricotta (I think?) to share. It certainly reminded me of the tarte flambée I had at The Bar Room at The Modern -- only this flatbread from The Bristol was oblong and had a more American-rustic style to it (as opposed to the Alsatian-style one by The Modern). Another delectable starter to share with the table -- warm, crisp, and savory. Just goes to show how bacon (especially those li'l lardons) makes everything better.

The Bristol proved the following to be true once again: chances are if there is bone marrow on a given restaurant's menu that it will soon make an appearance at my dining table. It was one of the specials offered that evening -- roasted bone marrow with shallot jam, parsley salad, and sea salt. The marrow bones were cut and served lengthwise -- certainly a striking presentation for those who are not totally immersed in offal and the like. I didn't mind one bit -- I was the first one scooping away at the marrow!


I spread a good chunk of marrow onto the toasted crostini, topping it with a generous dollop of shallot marmalade (some seriously wonderful stuff) and leaves of parsley. The bone marrow was just divine -- the shallot marmalade is the ideal solution for those who are averse to raw allium genus vegetables like shallots and onions. You still get the desired flavor effect of the shallot without the pungent and biting raw juiciness from its bulb flesh. Definitely need to find a recipe for the marmalade! However, the course would have been that much better if the crostini was a little looser in its toastedness (it seemed harder than the texture of crouton cubes), allowing for the bites into it to give a little bit. More crostini would have also made this an even more winning dish, especially for a ratio eater like myself.

I had the raviolo with ricotta, egg yolk, and brown butter as my main course. While overall this was pretty good, I was hoping for a more "melty" raviolo -- the kind where the pasta shell melts right into the creamy ricotta/egg yolk/brown butter interior. I found the pasta to be on the thicker side, and overall, the dish arrived just barely warmed, as if it had been sitting out waiting. The ricotta had an okay consistency (thick and crumble), though I would have preferred a creamier mesh with the runny egg yolk and brown butter.

Marcus had the linguine with clams, andouille, olive oil, and chile. This was really, really good -- a lovely combination of clams, spicy sausage, flavorful olive oil, and punchy chiles. Marcus had a diminished appetite as a result of his medication (boo!), but that meant I had the leftovers for breakfast the next morning -- still delicious even then!

Andrew went with the roasted half chicken with dill spaetzel and crunchy salad, a classic/signature dish at The Bristol. While I didn't steal a bite (now wishing that I had!), he reported that it was a really well-roasted chicken and very tasty. So if you're not feeling too adventurous at The Bristol, this is up any omnivore's alley!

For dessert, Marcus and I ordered chocolate sabayon with nutterbutters. It pretty much a mandatory thing for Marcus as it came with nutterbutters. Taste-wise, the homemade nutterbutters were delicious, but texture-wise, it was kinda hard. The chocolate sabayon was also heavier than I expected -- it was more like a pudding than a sabayon, which is supposed to be a light, foamy custard-like dessert. This wasn't necessarily a bad thing, but I was certainly expecting something lighter than was served.

Andrew opted for the cheesecake with figs and honey. It was pretty good, but the element of this dessert that was calling my name were the figs. However, the cheesecake was a different story. Just like how I felt with the ricotta in my raviolo, I felt like this cheesecake wasn't very fluffy or creamy.

Findings: Overall, The Bristol was fun, especially with its interior design and communal-driven snacks/starters. The atmosphere is certainly energetic, and the menu provides some interesting nomming navigation. Must orders have to be the duck fat fries (need I say more?!), the crispy flatbread (who can say no to bacon lardons?!), the bone marrow (yay for shallot marmalade), the roasted half-chicken, and that linguine if it's on the menu that day! I would deem this spot more appropriate for catching up with friends over drinks and snacks. The main courses and dessert can be hit or miss, especially from what we observed, so just tread carefully.

Price point: $7 for each snack, $12-13 for each starter, $12-14 for each pasta, $20 for the main, $8 for each dessert.

--May 18, 2012

The Bristol
2152 North Damen Avenue
Chicago, IL 60647

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